
Heheheheh….
Whoa.
James Garner’s daughter digs our little tribute.
We’re through the looking glass here, people.
“That Redford fellow is good. Brando. ‘Patton’ - George C. Scott. But the best of the bunch is Garner - James Garner. He can play anything. Comedy, westerns, drama - you name it. Yeah, I have to say Garner is the best around today. He doesn’t have to say anything - just make a face and you crack up.”—John Wayne
Cover of Maverick: issue #9, 1960
sorry for the lag in cowboys these last two days. had a string of busy evenings with not a dog-gone chance to scan! promise you we’ll be back up to speed this weekend.JAMES GARNER MAVERICK
watching the notebook because clearly I want to be a sobbing mess later. as cheesy as it sounds, this will always be one of my favorite movies. and the book is just as powerful.

How freakin’ »> cool «< is THIS???!!!! I found this seller, Section13Graphics, on eBay and asked them if they could make this. They listed it that night, one in chrome and one in plastic! I bought two! Go show ‘em some love and spread the word! I mean, really, what else would you REALLY rather be doing, right Gigi?!
http://www.ebay.com/itm/Chrome-License-Plate-Frame-Id-Rather-Be-Watching-The-Rockford-Files-Auto-/200901594957?pt=Motors_Car_Truck_Parts_Accessories&hash=item2ec6ab0f4d
;-)
It’s Double Feature Classic Movie Review Day at Carpinteria! The theme is rom-coms starring Thelma Ritter as the mother-in-law! This is a lot of exclamation points already, so I’m going to move straight into the reviews….
Move Over Darling has a cute concept, and is occasionally cute in practice, but is mostly rather irritatingly executed. I love Doris Day probably more than the next person, but even I don’t want to watch her nag James Garner into breaking up with his new wife (acquired while Day was presumed dead on a desert island) for 103 minutes. Especially when if you think about it, there would have been plenty of comedy to be mined from having the revelation of Day’s continued vitality earlier in the film. Garner and she have chemistry, but that’s not enough when he spends the majority of the movie evading her and lying implausibly to his new wife, Polly Bergen. Bergen’s character is written as comedically awful, probably to make her eventual ousting by Doris’ more palatable, but she’s still not that funny. Any points gained for having Thelma Ritter as the mother-in-law are lost during the racist scenes between her and the Spanish-speaking housekeeper. Perhaps the earlier version with Cary Grant and Irene Dunne works better? I hope so. C.
The Mating Season, on the other hand, is actually great! Ritter has a much more prominent role as the hamburger-stand-owning mother of John Lund, who marries up when he falls for ambassador’s daughter Gene Tierney. When married life is a little rough for the newlyweds though, Thelma comes in to save the day and is mistaken for the new maid by her daughter-in-law. The hijinks that ensue are character-driven, thoughtful, and above all pretty funny. I’m a little surprised that I’d never heard of a movie that I enjoyed this much, not to mention one for which Ritter ended up winning a (totally deserved) Oscar. Maybe its unpretentious tone has contributed to its being somewhat lost in the dialogue about classic film? Definitely recommended though, especially for chasing away the blues. A